A Tuscan View - from Umbria

The colour of earth

The first coat of calce (lime-wash paint) is diluted to the consistency of milk.  As I slosh it on to the walls it streams down my arms and splashes on my feet.  It barely covers the newly finished plaster in a thin pale wash.  This is the ‘primo mano’ or undercoat in pure chalk white.  
The idea of calce is that it breathes. 

I love that idea, a house with a soul and walls that breathe.

After the primo mano you can choose a colour, if you wish, to add to the chalk base.  You are given a tin of pigment, which you mix in, and the broken colour is achieved in 3 coats each diluted to a lesser degree with water.  The end result is a colour that appears to move in and out of its own intensity, changing with the light and the undulations of the walls.  Well, that’s the aim anyway.

Since I first visited Italy, years ago,  I have been infatuated with its colours; the warm rosy apricots and rich terracottas of the peeling stucco in the piazzas.  Faded frescos with the soft tinctures of the Renaissance, ghosts of vivid lapis blues and true clear reds. 

In the countryside, the ever-changing grey green olives and inky dark cypresses stand against the ripened gold of wheat. And the land itself, its ploughed and fallow fields with great clods of soil like raw siena, the fertile colour of earth.

In the cavernous warehouse where we have come to buy the paint I feel suddenly nervous, almost overwhelmed by colour, but I know I haven’t come this far to paint yet another stark white wall, so I hold my breath and choose…

The best thing I ate;

Bruschette con pomodorini e ricotta or (less romantically) tomatoes on toast!

I have been making these a lot recently. They are great for lunch but even better as the sun sinks behind the hills, served with a gently fizzing glass of chilled prosecco. I think it is the intense tomato taste of summer, the piquant edge of the peperoncino,  or maybe the mellow sweetness of the balsamic contrasting with the crumbling cool ricotta that really gets me.  Enough already!  Just try it.

Serves 4

cherry tomatoes (about 30)
Balsamic vinegar (1 and a half tablespoons)
Extra virgin olive oil
A peperoncino  chopped really finely
Sea salt and ground black pepper
Country bread sliced about 1cm thick
Garlic
Fresh ricotta cheese (try and get the good stuff made of sheep’s milk from the deli counter)
Fresh basil

 Leave the tomatoes whole and put them in an ovenproof dish and spread them out in a single layer. Season them with a little salt and pepper and drizzle generously with olive oil and half a tablespoon of balsamic vinegar.  Roast them in a hot oven for about 10 minutes or until the skins have burst and the juices started to caramelise.  Take them out of the oven and add the peperoncino, then add another tablespoon of balsamic vinegar and stir gently to mingle the flavours.

Meanwhile, slice your bread and toast it on a hot griddle until it is crisp on both sides.  Rub each slice a couple of times with a cut glove of garlic.  Drizzle with some olive oil and sprinkle with a little sea salt. 

To assemble your bruschette, spoon the tomatoes on to the toasted bread and top with a little ricotta.  Serve on a large white platter with some torn basil strewn around. 

20 more days

So much to look forward to here when Summer arrives, as it finally did a few weeks ago. We endured a long Winter this year and it was difficult to imagine the heat, as today it is difficult to imagine pulling on a second pair of trousers as a brace against the freezing cold. But a part of this Summer has been put on hold and tempered by the fact that our youngest child, the (not-so-small) small one, fell off her bicycle and broke both bones in her right arm.
She knew, we all knew, just by looking at it.

We took a tearful drive to the hospital and then had to make a longer journey to Perugia, as the nearest orthopaedic specialist was there on duty that afternoon.
The afternoon soon became the evening and we finally emerged, bleary eyed and blinking into the dark carpark, one of us wearing a heavy plastercast all the way up to the shoulder, set for 40 long days. Our little girl had no idea at the time what lay in store as the Summer began to take it's toll, but as we have now arrived at the 40th day, we are all at the end of our proverbial tethers.

I have been fortunate to have been otherwise preoccupied of late. Not surprisingly, things of a building nature are my immediate concern and it's a little like firefighting as I lurch from one emergency deadline to another. The stress of that is, though, tempered by allowing myself time every so often to go out in the car and 'discover' new and interesting places to draw and paint.
I call it research, and it is, but it also gives me a chance to stop for a time and focus on something other than power tools.

I just do quick sketches or small paintings to get a true sense of what it would be like for a group, then move on. So far I have a little 'library' of good places for morning painting, good places for afternoon painting, and loads of good places for lunch.

I've been busy.

For the patient back at home, unfortunately it's not quite as simple as just 'taking it off' today. You see, the bone hasn't quite set correctly and we will have to wait for the results of a final x-ray to confirm that she is now free to swim, ride her bicycle, draw, and do homework with her right hand. Our supportive, collective family-ban on all such activities seemed like a good idea at the time, but 40 days is a long time for anyone, certainly long enough for our wheatfields to turn from vivid green to golden brown.

So today has been a long time coming and, hopefully, the real Summer will start, for one little girl at least, very soon afterwards. We'll see.

The stupidest thing I did today;

I said, rather foolishly, as we went in to see the specialist, "I'm sure it'll be alright, then we can go swimming this afternoon!". Not according to the doctor.

He simply shook his head and said, "...ancora 20 giorni..." Aaaaaagh!

The early morning ferry

As usual we have a million things to do; lists, sub-lists, goals and deadlines and sometimes the hours just seems to slip away like sand.  But something subtle is happening here, Summer is weaving her hot magical spell, the children are in holiday mode and it’s catching.

Arriving early in Castiglione del Lago to run some errands, we happen to see the early morning ferry to Isola Maggiore heading for the jetty.  The water ripples silver in the sun and a cool reedy breeze blows gently from the lake.  Before we even hear the pleading cries from our offspring, Marito and I have exchanged ‘the look’.  Errands and lists will have to wait - we are getting on that ferry.

The spontaneity of it seems somehow thrilling and the children are half wild with excitement. The dog, a little unsure of his sea legs, is carried awkwardly on board and suddenly a very different kind of day is beginning to unfold.

Little waves slap against the wooden hull and the ferry heads out across the opalescent water to the island of Maggiore shimmering in the distance.  There are only a handful of other voyagers on board and in the quiet of the early morning the chug and pull of the engine is mesmerising.

Of the three islands that rise out of Lake Trasimeno, Isola Maggiore (close to the northern shore), is the second largest and the only one permanently inhabited.

We disembark and walk up the landing stage past some huge and mutant looking cats towards the Islands only village.  It is enchanting, the village consists entirely of a single street.  The quayside houses are built of mellow crumbling stone and behind them is the shifting grey green of olive groves rising up to the Church of San Michele at the island’s highest point.  Swallows swoop crazily in and out of the bell tower and the rasping cry of a thousand cicadas vibrates through the air.

Early in the morning (before the tourist rush) and with a population of less than 100, the place seems almost deserted - locked in time.  We walk up a rough and scorching track, the sun now blazing overhead through the olives and past a wild, abandoned castle towards the church. The sweeping views out across the lake make up for all the predictable moaning and the rather unpredictable gradient.  At last we reach a resting spot with a bench and a tap.  We drink, splash the dog and stick our heads under the flow of icy water.

It is said that in 1211 St Francis landed here and stayed for a 40 day sojourn during which time all he ate was half a loaf.  There is a little chapel marking the spot and a small Franciscan monastery.  The thought of only half a loaf makes everyone’s stomach start to gnaw and we retrace our steps in search of breakfast.

Back in the timeless main street I am struck by how much it resembles a film set, with it’s fishing nets drying in the sun and, inside dimly lit doorways little old ladies on rickety chairs making lace.

Half way down the street we stop to look inside the church of Buon Gesu, it has some wonderful, peeling frescoes from which baroque cherubs smile down from the faded lapis with naïve exuberance.

We see battered goal posts tucked into an alley way and imagine the island at night with children playing football in a street free from the noises and dangers of cars, and the old boys calling to each other across the way.  There is a solitary hotel and I find myself thinking, rather wistfully, how romantic it would be to stay the night.  To watch the sun set over the lake and slip down behind the distance mountains while dusk whispers in the olive groves and the hush of darkness descends on this tiny enduring community.

The best thing I ate:
Gelato, gelato, gelato.

After much experimenting I have to say I have found my favourite (local) purveyor of the cold stuff.  Caffé Venezia, via Porsenna, Chiusi.  I have tried lots and lots of lovely flavours here from the dewy coral coloured watermelon through various intense and smoky chocolate combos to my personal favourite, the creamy pale and elusive ‘gorgonzola and honey’ (I promise you, it’s delicious!).

The maker of these divine confections is the wife of the owner, and she is, quite simply, gifted.  She only uses proper ingredients (never any syrups) to produce the most sublime, silky gelato imaginable.  At once rich, voluptuous and also completely addictive. At the moment I am averaging about one a day and I freely admit I’ve lost my head as well as my heart. Is that too many?  Is that enough?  How many is too many?

Where to get it:
See above, if there’s any left.